Introduction to African Cinema
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African Cinema, Politics and Independence

This module studies African cinema as a political space. From colonial images to postcolonial films, African filmmakers have often had to answer a fundamental question: who has the right to represent Africa, its peoples, struggles, contradictions and futures?

Learning goal

Analyze African cinema in relation to colonization, decolonization, censorship, memory, national identities, Pan-Africanism and critique of postcolonial elites.

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Introduction to African Cinema

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Lesson list

Move through each lesson as a complete chapter

Lesson 1

Decolonization, Nationhood and Self-Representation

Understand decolonization as a struggle over images, languages, narratives and circulation, not only as political independence.

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Estimated duration

60 minutes

Learning goal

Understand decolonization as a struggle over images, languages, narratives and circulation, not only as political independence.

Reading sections

1

Resources

1

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Lesson 2

Militant Cinema, Third Cinema, Censorship and the State

Identify political film forms and understand censorship as official, economic, social or archival control.

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Estimated duration

60 minutes

Learning goal

Identify political film forms and understand censorship as official, economic, social or archival control.

Reading sections

1

Resources

1

Open lesson

Lesson 3

Memory, War, Postcoloniality and Critique of Elites

Analyze how African films use memory, war, satire, allegory, archive, silence and landscape to critique power.

Not started

Estimated duration

60 minutes

Learning goal

Analyze how African films use memory, war, satire, allegory, archive, silence and landscape to critique power.

Reading sections

1

Resources

1

Open lesson

Practice checkpoints

Open only when you are ready to apply this module. The complete prompts are preserved here.

Political Movement Scene

Analyze a movement scene in Borom Sarret by identifying spaces crossed, spaces forbidden, camera distance, city sounds and what the scene reveals about independence.

Expected output

A political reading of one movement scene with spatial and sonic evidence.

Censorship Map

Classify forms of censorship: official ban, imposed cuts, lack of screenings, social pressure, economic blockage and archival invisibility.

Expected output

A censorship map showing how control can operate before, during and after circulation.

Quiz and resource shelf

Quiz structure

4 questions are prepared to validate the core concepts of this module.

Tënk — Afrique 50, René Vautier

Source to review before public screening or classroom projection.

Open resource
Harvard Film Archive — Ousmane Sembène, Cinematic Revolutionary

Source to review before public screening or classroom projection.

Open resource
FESPACO — About the Festival

Source to review before public screening or classroom projection.

Open resource
UNESCO — African Film Heritage Project

Source to review before public screening or classroom projection.

Open resource