Mapping Several Belongings
A North African film can belong to several cultural, linguistic, political and institutional spaces at the same time. The goal is not to choose one identity, but to map the relations between them.
North Africa occupies an essential place in African cinema history, but is sometimes treated separately because of its links to Arab cinema, the Mediterranean, Europe, Arabic, Amazigh and French. Its cinemas help analyze anticolonial struggles, language, national memory, migration, religion, gender, youth and relations with Europe.
Lesson goal
Understand North Africa as part of African cinema history and as a bridge to Arab, Mediterranean, Amazigh, French and European histories.
Module
Geographies of African Cinema
Course progress
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Lesson player area
Map-based lecture connecting North Africa, Carthage and Mediterranean circulation.
0:00-0:20
Situate North Africa inside African cinema history while acknowledging its Arab, Mediterranean, Amazigh and European connections.
0:20-0:40
Study how language, national memory, migration, religion, gender and youth shape North African screen cultures.
0:40-1:00
Use Carthage Film Festival as a way to connect African, Arab and Global South cinemas.
A North African film can belong to several cultural, linguistic, political and institutional spaces at the same time. The goal is not to choose one identity, but to map the relations between them.
Discussion prompt
What makes a colonial image feel authoritative, and how can contemporary viewers resist that authority?
Exercise prompt
Map a North African film by identifying shooting location, languages, colonial legacy, festivals and its relation to Africa, the Arab world, Europe or the Mediterranean.
Practice
Work through the exercises and complementary resources after reading the lesson.
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Quiz
Answer 1 questions, review explanations and continue when ready.
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